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You should always keep an open mind for structural or logistical suggestions-you never know who might offer a good piece of advice that could save you some time.
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This will also help you figure out what your team is capable of building. If you are going on tour, get to know who else will be in your department. Ingrid Michaelson’s Hell No Tour at the Ryman Auditorium in Nashville, Tennessee, USA, 2016. They’ll also be around to make sure it gets packed right and travels safely. Depending on the role, it’s also their job to help you execute the design vision as consistently as possible from venue to venue. Your production manager, tour manager and fellow crew members need to be aware of the artistic and functional integrity of your design. In addition to communicating with your artist and creative team, it’s just as important to talk to your crew when going through the design process. Whatever the scenario, it’s the artist’s show and it’s your job to make their dream happen. You may add an element they’ve never seen before, which they might want more or less of.
#Small music stage lighting design full
Likewise, if your artist is giving you full control, ask them questions and keep them updated along the design process. As a touring lighting designer, be open to following artist guidelines. It’s important to remember that every artist is different, and every request comes from a different reason.